About Us
Important aspect of our performances is to integrate the improvisation in our concerts. This improvisation is based on historical models and writings from that time that deals with improvisational art and composition. Interaction with the audience forms an important part in our performances, so that audience can for example give a theme to be improvised on.
Liene Madern-Stradina |
specializes in historical keyboard instrument performance - harpsichord, fortepiano, organ. Her main interest lays in the music of the 17th and 18th century. She graduated in piano performance (Master) at the Conservatory of Latvia. After that, she moved to The Netherlands to study harpsichord with Ton Koopman, Fabio Bonizzoni and fortepiano with Bart van Oort at the Royal Conservatory in The Hague (Bachelor degree). Currently she follows Master study 'Early Keyboards' in Conservatorium in Amsterdam. |
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Carlos Leal Cardín I was born in Madrid (Spain) in 1989. After studying in my hometown -Guadalajara- with Ángel Luis Quintana and Suzana Stefanovic I moved to Salamanca where I sudied Bachelor with Aldo Mata.
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